Erika L. Sánchez

Fiction 2017 | 344 pages

You can tell by the title, there is bound to be some humor in here.  And there is!  I am Not Your Perfect Mexican Daughter is the story of Julia (pronounced hoo - lyah, please!) in her last two years of high school. Her older sister Olga is killed when she attempts to cross a street while texting.  Julia's parents believe Olga is the perfect Mexican daughter.  The two girls are first-generation Americans, living in a Mexican ghetto in Chicago.  Their apá works in a candy factory, and their amá cleans houses for rich white folks.  Poor, and with traditional values, Julia's parents do not understand her at all.  She is not the perfect Mexican daughter.

Julia, of course, wants a better life.  She doesn't want to be a receptionist like Olga.  She wants to go to college in New York City and be a writer. She is angry, passionate, smart, assertive, and can’t hold her tongue.  She gets in trouble in school constantly.  After Olga's death, she is very depressed, though everyone seems to look right past the impact this death must have had on her.  And she discovers that Olga was not quite the perfect Mexican daughter everyone thought she was.  But I will not expound upon that, as that is the mystery that pulls this novel along.

I often laughed.  Here is one time (page 114).  "The girls next to us are now scandalized, call her a slut, skank, whore, and so many other synonyms in both English and Spanish that is seems like they have consulted a bilingual thesaurus."

I loved Julia and how she pushed at boundaries.  I loved her best friend Lorena and Lorena's good friend, Juanga, who is unabashedly all-out gay, colorful, and unashamed.

This was a book my decolonization book club was about to read, when I left that book club.  I think it presents a delightful picture of being poor, Mexican, first generation, and the spunk and love it takes to rise above it. I am Not Your Perfect Mexican Daughter is a satisfying read, and I recommend it.

February 2023

Pema Chödrön

Nonfiction 1994 | 221 pages

I started reading this book and had the urge to underline and comment in the margins, but I was reading a digital version from the library, so I paused and ordered my own copy (which came in a package of three Pema Chödrön books.  You will read more here, later.  I know I am very late to discover Chödrön).

Pema Chödrön is an American-Tibetan Buddhist.  She is a nun and a very well-respected teacher.  And so, this book is based on Buddhism, but not so academic or "preachy" as some.  She is very down-to-earth and modern in her writing style; I find it easy to read her words.

Chödrön writes in this book about Tonglen and Lojong.

Tonglen is the practice of taking in and sending out in meditation.  It builds compassion.  In Tonglen meditation we imagine that as we breathe in we are taking away the suffering of a particular individual, group, or animal. Then, as we breathe out, we imagine that we are sending out positive energy, comfort and happiness to that object of our meditation.

While there is much wisdom in this book, Tonglen is one of the concepts I have embraced and am using daily.  There are two people in my life who I care about deeply, and who are struggling and suffering, and Tonglen informs my relationship with them, even though neither of them knows this.

Then there are the 59 slogans of lojong! Overwhelming In number, but so meaningful in content, such as:

• Regard all dharmas as dreams
• Self-liberate even the antidote
• Whatever you meet unexpectedly, join with meditation
• Always maintain only a joyful mind
• Don't be so predictable
• Don't wait in ambush
• Don't expect applause

Some of what I will remember from Start Where You Are is the reminder that each moment is unique, precious, fresh, and sacred, regardless of what is occurring in that moment. Also, she teaches that when you connect with pain, with suffering, your heart expands.  Such connection touches tenderness, openness, spaciousness, and vividness.  The heart simply keeps growing.  It is as wise to not resist the suffering as to not resist the joy.

You will take from Start Where You Are whatever is important to you right now.  I cannot tell you what benefit this book will bring to you personally.  I can certainly suggest that it will not be precisely what I took.

Yes, read this book, quietly and with intention.

February 2023

Elizabeth Strout

Fiction 2016 | 209 pages

In the mid-1980s, Lucy Barton arrives at a New York City hospital with a ruptured appendix, develops a mysterious illness, and is in the hospital for nine weeks.  This is before cell phones and in the midst of the aids epidemic.

One day, Lucy awakens to find her mother sitting in the chair by her bed. It has been years since Lucy has seen her; she has never before come to New York. Lucy’s mother stays right at the foot of her bed for many days, speaking mostly about the marriages among their friends and family that have fallen apart.  During her visit, Lucy comes to terms with the harsh poverty that isolated her family and the abuse she and her siblings faced because of their father’s untreated post-traumatic stress disorder.

Lucy details how her father would lock her in his truck for entire days while her parents worked. The sound of children crying (and snakes) trigger Lucy’s traumatic memories. Lucy also remembers how she would escape the brutal cold of her family’s one-room garage home by staying longer at school and reading. Eventually, this experience shapes her into the writer she longs to be.

Though lauded by some (using words such as powerful, meditative, and haunting), Goodreads reviewers only rate it as 3.57 and I must join the less enthusiastic readers.  I found the tale interesting, but not captivating. I felt as though I was watching Lucy and her (unnamed) mother, and not really entering into who they are as people.  Shallow, I would say.  Lucy’s mother cannot say the words “I love you” to anyone; however Lucy declares her love for everyone, from her doctor to her friends, and to about every man she has encountered in her life.  It is endless and seemingly insincere.

This is, by the way, a very short read!  While it lists at 209 pages, I have the large print edition, and it is only 175 pages.  For those of you who are local, if you play it as you leave from the West Hills of Portland (as I did today), you will finish it just as you turn into your driveway in Bend!

As an Elizabeth Strout fan, who you might want to read this novel, but I don’t come up with any other compelling reason to read it.

(Okay, we need a four-heart book next, eh??)

February 2023

Yuval Noah Harari

Nonfiction 2015 | 443 pages

We all know we are Homo sapiens, but did you know that there were multiple species of humans, as few as six, and perhaps as many as 14?  Homo erectus, Homo ergaster, and Homo neanderthalensis are three that might seem vaguely familiar to you.  What happened to the other species?  We do not actually know.  We DO know that Homo sapiens managed to rid the world of thousands of species of other animals.

And Home sapiens really began to dominate the planet with the development of fiction.  As far as we know, Home sapiens are the only animals that have the brain capacity to create fiction.  Fiction changed everything.  It is fiction that creates religion, corporations, countries, cultures, the economic system, capitalism.  It is all made up, and only because we agree about what we imagine, does it carry any weight or have any power.  A corporation, for example, is not a physical entity you can touch.  It is only an imagined agreement we have ...

“…today the very survival of rivers, trees, and lions depends on the grace of imagined entities such as the United States and Google.” (page 32)

I was fascinated to begin this book, but started to skim just over halfway in.  Some of you who have a keener interest in history may find this anthropological history fascinating all the way through.  I made it through the hunter-gatherers and through the Agricultural Revolution, but then my interest simply waned as we arrived at the Scientific Revolution (500 CE).   But still, what I learned and retained is fascinating.  I eventually made it through the entire book, and the last couple of chapters were fascinating to me again.

By the way, if you choose to try Sapiens on for size, I recommend you put your hands on a hard copy.  The book itself is beautiful. It is heavy (literally as well as figuratively), with glassy two-color print and many photographs, drawings, and maps that elucidate what you are reading.

Joanne, I hope you complete it!  Post a comment if you do, please ... anyone!

February 2023

E. B White

Children's Fantasy 1952 | 184 pages

I cannot clearly see why NYT selected this book as the tale to read when one is 78 years old!  I suspect it has something to do with reminding us jaded old folks about the importance of love, friendship, caring, and humble, radiant, giving and receiving.  I shed a tear at the end.

Charlotte’s Web is, of course, a child's tale.  Did you read it when you were young?  I missed this gracious story about animals in a barnyard who talk with one another (Well, it is a “possibility, - ility,- ility” according to the goose!), and how the spider Charlotte saves the pig Wilbur from becoming Christmas dinner.

Charlotte’s Web is delightful, sweet, tender.  Read or reread it whether you are 30 or 90 to reawaken your heart.

February 2023

Lulu Miller

Nonfiction & Memoir 2020 | 240 pages

Wow!  I would NEVER have picked up a nonfiction book about a taxonomist/ichthyologist born in 1851, until Josie, a member of our book club, convinced us this was the perfect read for our February discussion.  This is an astounding book!

David Starr Jordan (some of you may know this name ... I did not) was obsessed with identifying new fish.  He ultimately is credited for discovering more than 2500 fish species.  He carefully stored and tagged thousands of them in glass jars, until the great San Francisco earthquake hit in 1906, and his life's work lie broken amid shards of glass on the floor.  He immediately picked up a needle and began to sew the fishes' tags onto their bodies.

Miller, a reporter for NPR, was captivated by Jordan, wondering what made him so hopeful, so resilient, when he met numerous disasters and roadblocks.  How did he maintain his optimism?  Why was he obsessed with Chaos (yes, with a capital C).

Miller's writing is what makes the book so fascinating, so engaging.  She isn't simply doing a biography of the man, she in interacting with every part of his life story, and sharing with us, her readers, her reactions, opinions, desires, hopes, disappointments about Jordan and about how these feelings are a mirror for her life.  Yes, she too was obsessed, with the curly-haired man who would never come back to her.  She too observed and interacted with Chaos.  Jordan, as a scientist, was compelled to attempt to create organization and categorization out of Chaos. Miller feels a similar compulsion in her career as a journalist.

Yes, this is the same Jordan who was later to be the Founding President of Stanford University.  Miller's view of the man, her admiration of his remarkable talent, is destroyed as she learns more about his life.  She says in her interview on NPR (April 17, 2020, All Things Considered),   "I mean, the breadth of his wreckage, his violence, his cruelty is utterly stunning. Like you can't imagine that a single person can harm so many people's lives."

David Starr Jordan becomes an ardent, passionate, vocal, powerful proselytizer for eugenics.  Other topics in this book, in Jordan's life, in addition to fish and Stanford, include rape, forced sterilization, Nazism, childhood incarceration, delusion, self-grandeur, and murder.

Absolutely, unquestionably, read this excellent book.

February 2023

Balli Kaur Jasmal

Fiction 2017 | 298 pages

This is a delightful read!  (Thank you, René!)

Nikki, about 22 years old, lives alone in London and tends bar at the local pub, having quit law school to figure out what she wants to do with her life.  Of Indian descent, she has spent her years distancing herself from the traditional Sikh community of her childhood, even as her sister Mindi decides to seek an arranged marriage. Trying to find herself, and also wanting to be of service, Nikki takes a job teaching a brand-new creative writing course that is marketed to widows at the community center in the heart of London's closed-knit Punjabi community, Southall.

However, the women who arrive are not literate.  Nikki goes in search of "learn your ABC's" books and is disappointed she will not be teaching creative writing.  But then she discovers that, while they cannot write, these women can tell stories, and especially fantasies ... sexual fantasies.  Some are made up; some they experienced when their husbands were alive.  News of the class gets out and more and more women come.  News also travels to the Brotherhood, a group of highly conservative young men who have appointed themselves the "morality police" in Southall.

Lest you think this is just some sexy, light reading, that is only the stage for exploring patriarchy, indoctrination, cultural and societal norms, and the unsolved and unattended murders of young women.  This is a thought-provoking tale about East-meets-West, with several important subplots.  The diversion into steamy stories helps to normalize the characters and to remind us of our similarities as well as our differences.

The eroticism is lively and sexy.  The story line is serious and educational. The seven or eight erotic stories play a decidedly positive role in the relationships of women who are still with men.

I surely recommend this book!

January 2023

Anne Griffin

Fiction 2021 / 342 pages

Regular readers of Dusty Shelves know that I have an affinity for debut novels.  It is refreshing to hear a new voice, and you can just FEEL how hard they worked to get it right.  And then they publish their second novel.  And sometimes the artistry and magic do not carry over into manuscript number two.  I fear that is the case with Anne Griffin.  Listening Still is just not in the same ballpark as When All is Said (see my review in Dusty Shelves).

The plot is wonderful!  Jeanie Masterson can hear the last words of the dead and they can hear her. Her father also has this gift, and together they run the family business ... a funeral home in Ireland.  The ONLY Irish funeral home that talks with their dead.  We watch Jeanie as she enters her teenage years, falls in love twice, and tries to manage her varied emotions when her parents tell her they are retiring to the coast, and leaving the business to her.

Sometimes when you hear the dead speak their last words (while lying in their coffin), you decide the words are too painful to pass on to friends and relatives.  Sometimes not.  But Jeanie and her father find themselves in such situations often ... and this sometimes-withholding and sometimes-giving becomes the way of not communicating with her family and friends as well.

There are a variety of secondary characters who serve as foils to Jeanie and are often delightful.  Her Aunt Harry who works as an embalmer in the business; her friend Niall from the toddler days who waits and watches while Jeanie falls in love with someone else; her deliciously autistic brother Mikey; her best friend Peanut; and Arthur, the postman, all move the story forward.

However, the fatal flaw in this book is the main character, Jeanie.  A number of reviewers wrote that Jeanie frustrated them, because she cruelly spends years not answering the questions of people who love her, leaving herself and them hanging, with no end in sight. I didn't find Jeanie as frustrating as I found Anne Griffin.  Jeanie is a shallow character, and we see only her external behaviors and not her inner soul.  I checked twice to see if this is a YA book, and it is not. It has that sense of action with no depth to it ...

This was a quick read and an easy read.  If you are looking for something to lightly entertain you this weekend, this is a good choice.  If you are seeking something with profound meaning that will cause you to think, I suggest you look elsewhere.

January 2023

Jonathon Safran Foer

Fiction 2005 | 335 pages

Oskar, the nine-year-old protagonist of this novel, is vegan and only wears white.  He is extremely precocious and incredibly imaginative; always creating new inventions in his mind.  After his father is killed in the Twin Towers on 9/11, with his body never found, Oskar's tendency towards fear, worry, and anxiety is further augmented by grief and survivor guilt. Oskar describes his sorrow and sadness as "heavy boots" ... a delicious and meaningful metaphor.

Oskar finds a key in a blue vase in his dad's closet after his dad dies. He decides to find the purpose of this key, which is in an envelope with "Black" written on it. He figures out that Black is last name of the person who knows something about this key, and he decides to visit everyone in New Your City with the last name of Black, in alphabetical order of their first name, not geographic order.  He walks wherever he goes in New York City, as he has a fear of public in transportation, heights, and bridges.  He always carries a tambourine, which he shakes to try to calm himself. Oskar is also insatiably curious, brilliant, and has a huge range of interests and an amazing memory for obscure facts.

There is a strong secondary plot in Extremely Loud & Incredibly Close, through which we are exposed to a long series of letters written by Oskar's grandfather to his unborn child (a bit confusing at times, this.)

The novel is extraordinary.  It has an odd and quirky plot.  The writing is magnificent.  Just a single sentence from page 165, to offer a flavor of the writing: "He looked at me and through me at the same time, like I was a stained glass window."

This is the second time I read this book. RARE for me!   It came up in a recent conversation and sounded like a good idea to reread.  Thanks, Joanne.

Yes, I recommend Extremely Loud & Incredibly Close.

January 2023

Jonathon Safran Foer

Fiction 2005 | 335 pages

Oskar, the nine-year-old protagonist of this novel, is vegan and only wears white.  He is extremely precocious and incredibly imaginative; always creating new inventions in his mind.  After his father is killed in the Twin Towers on 9/11, with his body never found, Oskar's tendency towards fear, worry, and anxiety is further augmented by grief and survivor guilt. Oskar describes his sorrow and sadness as "heavy boots" ... a delicious and meaningful metaphor.

Oskar finds a key in a blue vase in his dad's closet after his dad dies. He decides to find the purpose of this key, which is in an envelope with "Black" written on it. He figures out that Black is last name of the person who knows something about this key, and he decides to visit everyone in New Your City with the last name of Black, in alphabetical order of their first name, not geographic order.  He walks wherever he goes in New York City, as he has a fear of public in transportation, heights, and bridges.  He always carries a tambourine, which he shakes to try to calm himself. Oskar is also insatiably curious, brilliant, and has a huge range of interests and an amazing memory for obscure facts.

There is a strong secondary plot in Extremely Loud & Incredibly Close, through which we are exposed to a long series of letters written by Oskar's grandfather to his unborn child (a bit confusing at times, this.)

The novel is extraordinary.  It has an odd and quirky plot.  The writing is magnificent.  Just a single sentence from page 165, to offer a flavor of the writing: "He looked at me and through me at the same time, like I was a stained glass window."

This is the second time I read this book. RARE for me!   It came up in a recent conversation and sounded like a good idea to reread.  Thanks, Joanne.

Yes, I recommend Extremely Loud & Incredibly Close.

January 2023