Emma Cline |  Fiction

The Girls tells an intriguing story of a cult, a commune of sorts, in Northern California in the late 1960’s.  Evie Boyd is a bored and drifting 14-year-old, who is captivated by the group after she encounters “the girls” in a park near her home:  “I noticed their hair first, long and uncombed. Then their jewelry catching the sun. The three of them were far enough away that I saw only the periphery of their features, but it didn’t matter — I knew they were different from everyone else in the park.”  Evie is mesmerized and is soon drawn in by Suzanne and the charismatic leader of the group. Russell.

It is a story of the vulnerability and naiveté of teenagers, especially at this time in our country where drugs, freedom, and frayed long granny skirts were rampant.

Unfortunately for the story, it is clear this is Ms. Cline’s first novel. Her story is compelling; her writing is not.  For some unknown reason, she tells the story from the viewpoint of Evie as a grown woman, decades later.  This trick of the writing trade adds not an ounce of interest.  Fortunately, she only returns to modern-day Evie three or four times, but each time is a jarring waste of effort.  Second, the author does not yet have the skill to build suspense. You know there will be murders.  This is mentioned early in the book, and then again around page 200 for a few pages, and then she abandons it again until page 312.  There is way too much time in-between these hints of what is to come to create a sense of anticipation in her writing.  I imagine a friend of hers reading the draft and saying, "You need to plant a seed of the murders earlier in the book," and Ms. Cline randomly obliges her friend.

Finally, and most difficult of all, the book is overwritten.  An example on page 200: “I got up once to get Suzanne a glass of water, and there was a domestic gentleness in the act.  I wanted to meet a need, put water in her mouth. Suzanne smiled up at me as she drank, gulping so fast I could see her throat ripple.”  The last sentence – even the last two sentences – added not an iota to the story.  The author has many filler sentences like this.  I can just imagine Ms. Cline writing out her story in a rush of ideas and creativity, and then painstakingly working her way through her tale, word by word, inserting words like “rupture” for “path” and substituting “yoke” for “yank.”

I hope in her next novel she writes from her imagination, and leaves it at that, without trying hard to add “interesting” words.  Her prose, then, will mature and perhaps captivate us, as the ranch captivated Evie.

Elizabeth Gilbert  |  Fiction

A sincere thank you goes out to friends who convinced me to give Elizabeth Gilbert one more try!  I found The Signature of All Things interesting, compelling, intriguing and rich.  This is the story of Alma, born in 1800 to Henry Whittaker, the richest man in Philadelphia.  The novel portrays her entire life, from birth to death.  Alma becomes a brilliant and talented botanist with, as was the norm for young women of this time, no formal education.  We are privileged to witness this remarkable woman, who, with her independence her passion, her brain and her conversational skills, is way ahead of what we might expect for a well-heeled woman of the 19^th century.

Gilbert takes us into Alma’s thoughts, fears and dreams.  We also are witness to how fine scientific minds view the world, and to the growth of all arms of science in this period.  The setting for this interesting novel is not only Philadelphia – Alma does travel as well, and we witness some other parts of the world through her eyes.

I was lukewarm on Eat, Pray, Love and Big Magic (see my blog post on the latter). I found Gilbert to be stuck in her own frame of reference and not very good at making her revelations applicable to other readers in these non-fiction books. But her fiction – wow!  I definitely recommend this tale for a captivating read.

Jack Thorne (NOT J.K. Rowling!)  |  Fiction

When I was in third grade I wrote a play. My lovely third-grade teacher (Mrs. Cahill if memory serves??) was kind enough to let me direct and perform the play.  It was a great way to develop a baby budding writer!  Since that day, I have had an affinity for play scripts. Even today, I will occasionally pick one up to read and enjoy.  So, as you may imagine, I was excited to get my hands on a copy of the play Harry Potter and the Cursed Child.

And how disappointing!  The children in the play are progeny of Harry and Ginny, and Hermione and Ron, and Draco Malfoy.  It was intriguing to observe the next generation of wizards developing in the shadow of their famous parents.  Unfortunately, that is just what the author, Jack Thorne, relies upon – how these children fare in comparison to their enticing ancestors.  As a matter of fact, in the main story line, the children travel back to a time when all the adults were young and at Hogwarts.  How un-creative!  Thorne could not even develop a NEW adventure for young Albus and Scorpius to explore and be challenged by.  It was boring!  There was nothing new, no new magic, no new intrigue, virtually no creativity.  Sad.

The other error Thorne makes, in my opinion, is to tell the story of the five adults simultaneously.  So there is an inter-weaving of the adults, and their insecurities and proclivities, with the children’s adventures.  And it wasn’t a clever interweaving.  The tales about the adults simply dragged down any energy that Thorne created about the children.

I miss J.K. Rowling immensely in this story.

Téa Obreht |  Fiction

She deserves four hearts; I am certain of it.  Ms. Obreht's novel, however, is intricate and complex, and I must read it a second time before giving her her due. (Be forewarned, Casting Crew Book Club; I will be suggesting The Tiger’s Wife as a 2017 read!)

The Tiger’s Wife is a beautiful, mesmerizing tale.  She tells of a doctor and the death of her beloved grandfather, set in an unnamed Balkan state mending from war.  But it is more than this.  It is a compelling mix of reality and myth, of history and fairy tale.  She also tells of the encounters with the “deathless man.”  Michiro Kakutani of the New York Times writes, “…she demonstrates an uncommon ability to move seamlessly between the gritty realm of the real and the more primary-colored world of the fable.”

As delightful as the story itself, it is also important to note that this is Téa Obreht’s debut novel. And she is “twenty something.”  I was unable to keep track of the artful wording and phrasing she creates on every single page.  So, instead of writing down pages to share, I decided just to open to a random page while writing my review, guaranteeing myself I would find a superb example.  Let’s try.  Okay, page 91. “His thirst insane, the tiger lapped up pools from the leaky fountain where the flower women filled their buckets and then put his nose into the face of a sleeping child who had been left, wrapped in blankets, under the pancake stand.”  How can anyone write with such beauty, clarity and eloquence?

Read this book!  And please, leave a comment!

Jesse Ball  |  Fiction

I grow weary of coming of age novels in which the protagonist loses both parents to not-quite-tear-jerking circumstances, and survives "in spite of it all.”  Lucia’s story, the main character in How to Start a Fire and Why, sounded so familiar, it bored me.

The publisher, however, spoke highly of her arsonist capabilities which, in my mind, made this novel sound intriguing.  (Am I really saying that?  I WANT to read about arson?)  The inside jacket states “Jesse Ball’s singular, blistering new novel tells the story of a teenage girl who has lost everything – and will burn anything.”

This is, well, a blistering lie!  (Spoiler alert coming if you want to read this thing…)  Lucia sets her first and only fire on page 281, exactly two pages before the end of the book.

What I did like about this novel is Ball’s quick and witty style.  With lots of white space, it is a very fast read.  Next time I want a fast read, however, I will pick up Time magazine and at least acquire some knowledge.

Martha Whitmore Hickman  |  Non-Fiction

This is my go-to book on grief.  I read it every single day.  Organized by date, it has 365 pages, each with a quote, a viewpoint on the quote, and then an action or affirmation for consideration.  This lovely little book gives me a new perspective nearly every day, and puts my grief in helpful context, allowing me to shift just a bit how I am perceiving, analyzing or feeling.

Here is one quote I have asterisked, just to share a flavor of the book … “It isn’t for the moment you are stuck that you need courage, but for the long uphill climb back to sanity and faith and security.”  Anne Morrow Lindbergh

The author uses the term “loved one” so it is useful whether you have lost a spouse, parent, friend, child … whomever.  I absolutely recommend you buy a copy of this book for yourself or anyone you know who is in mourning.

Diane Rehm  |  Non-Fiction

A number of people recommended this book to me, and I can see why!  Diane Rehm, host of the Diane Rehm Show on NPR since 1979, writes about the death of her husband John, and what it is like being “on her own.”   I found her writing style to be easy, honest, and compelling.  Perhaps part of why I appreciate this book is because her situation parallels mine in many ways.  No, it is not her situation that parallels mine, it is her perspective.  She is a dynamic, engaged, intelligent woman struggling to reconstruct her life.  She and John were married 54 years!  Wow!

Many of her stories resonated with me, such as … putting on a dress (okay, I NEVER actually put on a dress) and then simply not going out to an engagement, because she had no energy to smile at people or talk with strangers.  Yesterday and today both I cancelled engagements for the same reason. 

Of course, she also helps me to see things differently!  For instance, she writes about moving to the center of the bed.  Really?  Never even occurred to me!

Ms. Rehm’s most compelling message is about how her husband chose to starve himself to death because he lived in a state where death with dignity was not possible.  At nearly 80 years old, Diane Rehm is working with Compassion and Choices (compassionandchoices.org) to broaden the availability of physician-assisted death.  It is inspiring to read about her passion and commitment!

This 161 page book is not exactly an easy read, but it is a quick one.  Her style is conversational.  I guess you might expect no less from a woman who hosted an enormously successful radio show for 35 years!

James Patterson  |  Fiction

James Patterson has written 147 novels.   He has had 114 New York Times bestselling novels, and holds The New York Times record for most #1 New York Times bestsellers by a single author, a total of 67.  Wow.  Amazing.

The 15^th Affair is the fifteenth book in the Women’s Murder Club series co-written with Maxine Paetro.  In this novel, Lindsay Boxer, the San Francisco police detective and main character, encounters a four-person murder in a downtown luxury hotel; an explosion that rocks the city, the country and the world; and a husband who goes missing.  The Women’s Murder Club has four members, and Lindsay uses her esteemed female colleagues to help her solve these mysteries. 

Patterson's writing is intriguing and suspenseful.  While this is not a book to read for your dissertation research (unless you happen to be working on a Doctorate in Mystery Literature and are studying Patterson!), it is good, solid, interesting, edge-of-your-seat mystery.  I liked it enough that I just requested from the library the first book in the Women’s Murder Club series, 1^st to Die.

Noah Hawley  |  Fiction

What do you, blog readers, think about The New York Times Best Seller List?  Sometimes I find books on it that I love ... and often, well, it seems to appeal to a somewhat different sort of reader.  A reader who is, perhaps, more mainstream?  I can’t find a way to say this and maintain political correctness ... a reader who perhaps has not partaken of quite as much formal education?

Before the Fall is a disappointment from the NYT Best Seller List.  A private plane crashes into the ocean soon after taking off from Martha’s Vineyard.  The only survivors are Scott Burroughs, a struggling painter, and a four-year-old boy, JJ, who is now the heir to a media mogul’s family.

Hawley proceeds to weave into his novel the back stories of the 11 people, crew and passengers, who were on the plane.  And, of course, there are the media and law enforcement types who also weave quite amazing potential motivations and sinister plots into their musings and interviews.  But frankly, Hawley does not develop any character into a person you care about, except Scott Burroughs.  There are simply too many people in this novel, many of whom receive their own chapter, but not their own character.  I found I only cared about Scott and JJ, and whether or not Scott would fall prey to speculation that he must have sabotaged the plane, because he survived.

I am grateful to this book for one lesson – it helped me clarify what a “two heart” rating is.  A two heart rating means I tried to put the book down, but was curious enough about the end to skim the last third so I could find out what happened.  I was sufficiently unimpressed with the writing to maintain the effort to read sincerely.

If you read it and have a different opinion, please post your thoughts, as well as your perspectives on the NYT Best Seller List!

p.s. I am finishing ANOTHER book from the NYT list right now … this next one will likely receive a more favorable review.

Roz Chast  |  Non-Fiction

At various time in the last two weeks, I rated this book one heart, two hearts, three hearts and four hearts!  I finally settled on four hearts because frankly, I couldn’t put it down.

This was the first foray into graphic novels, for most of us in my book club, The Casting Crew.  And Roz Chast is a master!  The topic of the book is quite sobering … it chronicles the death of her parents, who are well into their nineties when they die. Chast’s writing, and even more, her AMAZING illustrations, really communicate with brutal honesty the funny, incisive and often painful experiences of these years.  You’ll witness laughter, rage, hysteria, love, despair, guilt, and roll-on-the-floor antics.  If you don’t recognize a bit of your mom or your dad or a grandparent or a friend’s parent in this tale, then you will likely recognize a bit of yourself.

While, yes, it was difficult to read at times when comments, stories or drawings cut too close to home, Chast inspired a profound conversation in book club about parents and our own thoughts about death.  You will choose olives and not red sweaters for her dad.  You’ll watch her mom eat a tuna sandwich at a striking time.  And, of course, you will fulfill the title over and over again, as her parents had NO intention of ever talking about anything like death, dying, illness, hospitals, leaving their apartment or, for heaven's sake, "Rest Home Prisons.”

I am excited to try another graphic novel.  If you haven’t ventured into the genre yet, these books are not Archie revisited.  The illustrations add so much depth to the story – when you can see the expressions on the faces of the characters, you experience their veracity in a way that words alone often fail to do.  A picture truly is worth 1000 words ... at least with Roz Chast’s talent.